This book is set in the early days of the space race. Scientists have assessed the risk of previously unknown organisms being released on Earth (either alien bacteria brought back to Earth by rockets or Earth-bound organisms changed by exposure to the environment of space). The result is Wildfire – an underground facility with multiple levels of increasing levels of sterilisation, in which the scientists would research any such contaminated material.
The plot is that a satellite has indeed brought back some terrible disease that has killed many people in the vicinity by solidifying their blood. This include two soldiers sent to retrieve the satellite – but there are two survivors, a baby and an old man. The scientists are summoned to the Wildfire bunker to investigate the nature of the disease and the book tells the story of their tests and endeavours as if from a retrospective.
Reviews of this book frequently admit that the reader was convinced that the story was true – I had that impression too, particularly given the fake acknowledgements to those ‘who encouraged me to tell the story accurately and in detail’ at the start of the book and the heavily academic bibliography at the end.
This book follows the same template as the other Lost Fleet books that I’ve read. We travel with Captain “Black Jack” Geary on Dauntless, the flag ship of his fleet, as he attempts to steer his people home after a damaging series of battles. This episode is more optimistic, the fleet is performing well in battle and Geary’s efforts to bring a humane change in culture to the personnel is succeeding (they rescue stranded enemy civilians who had been abandoned on an outpost planet). However, he still faces the growing threat of hidden enemies within the leadership who are still trying to overthrow him. Geary confronts the fact that he cannot continue to court Co-President Victoria Rione now that his growing feelings for Captain Tanya Desjani are obvious to everyone in his crew.
This is the first book in the “Lost Fleet” series, featuring Captain Jack Geary. I read “Guardian”, a book from later in the series earlier this year, and was hoping that this book would describe the moment that Jack Geary’s survival capsule was found in space. However, this book goes back to a period just a few weeks after he has thawed out (!) and is adjusting to life in the future. It’s 100 years after he’d famously escaped his last stand in a battle against the Syndicate Worlds, but he has no recollection of the passing of a century. Moreover, he was promoted to Captain upon his supposed death, and soon finds himself running the entire fleet due to his length of service and the ensuing legends that have built over the years.
The book covers a number of space battles, as well as describing the difficulty Geary faces in retraining his team in the lost arts of combat at near light speed. He faces opposition in the boardroom too – not everyone is happy to be shown the error of their methods. It’s an enjoyable read and highly similar to Guardian – it will be interesting to read a third from the series to see if the author follows the same template throughout.
This book was a lucky, random find in a charity book shop. I hadn’t read anything by this author before, but the book was thoroughly enjoyable. It’s primarily a Science Fiction book – the hero, Admiral Jack Geary, guides his fleet of starships across the galaxy back to the home system, Varandal, encountering numerous enemies (some human, some alien) on the way. But he also has to overcome political challenges and man-management issues within the fleet and in the government back home.
This one is a spin-off from a series of books, so I’ve ordered the first (“Dauntless”) to fill in the background.
This is the first book that I’ve read from Michael Cobley. I was drawn to it by reviews such as “An absolute cracker of a space opera” and “Here is a space opera which unashamedly honours the roots of the genre”. Also, it’s good to know that there are other related books by the same author in the Humanity’s Fire trilogy.
That said, I found the book overly complex, with a vast array of characters and numerous distinct plot lines that took hundreds of pages to come together. Too often, we were introduced to characters who then seemed to disappear completely. For example, two women in Captain Pyke’s close-knit crew, Dervla and Win, were introduced as integral members of his team. Once captured, the team took on impossible challenges to save them – but unfortunately, we never heard about Win again!
The most memorable character(s) of the book was the drone Rensik Estemil. Hugely intelligent and an effective fighting machine, he somehow got trapped in a mesh box (Faraday cage?!) – but escaped by casting off a mini-Rensik drone which saved the day.
This is another in the SF Masterworks series and I’m not alone in thinking it’s brilliant:
Exciting, intelligent galaxy-spanning stuff that these days would require six brick-thick volumes. This is the real heady wine of science fiction – Terry Pratchett
The story starts with two inventions – spindizzies (kind of anti-gravity engines) and anti-agathic drugs (that enable citizens to live for a thousand years) – and takes the reader on a journey to explore their exploitation. On the way, we encounter vast experimental stations on Jupiter, cities taking flight from earth to explore the galaxy, the economic collapse of the galaxy and even the end of time itself.
This book is part of the SciFi MasterWorks series, so I had high expectations, especially as it was written by the lauded Philip K Dick. However, this book is different to others that I’ve read by him – it starts very slowly, seemingly in a normal family in a sleepy American town. Only much later does the plot encompass a more science fiction element, and a more sinister reason behind the daily puzzle that Ragle Gumm must complete is revealed.
The edition of the book that I bought has a very helpful afterword that explains how the author was trying to break away from the pulp science fiction stories into non-sci-fi novels. They bill “Time Out Of Joint” as the first of a cross-over book between the two genres. He specifically intended it to break away from the sci-fi treadmill that he was on, because he knew his current publisher would reject it in its original form!
This book is interesting for what it says about the author’s own history, but I wouldn’t recommend it for the story alone.